Sound devices 5ss portable 5-chan
Sound devices 5ss portable 5-chan
Sound devices 5ss portable 5-chan
Sound devices 5ss portable 5-chan
Sound devices 5ss portable 5-chan
Sound devices 5ss portable 5-chan
Sound devices 5ss portable 5-chan
Sound devices 5ss portable 5-chan

Sound devices 5ss portable 5-chan

Sound Devices presents the 552 Production Mixer, the most techologically advanced portable audio mixer ever made. Using the best analog and digital technologies, along with advanced mechanical construction, the 552 gives professionals a superb sounding, compact, lightweight and power-efficient mixer that is equally at home in simple run-and-gun applications or in complex multi-input, multi-output production setups.

The 552 contains five precision high-dynamic-range transformer-balanced microphone inputs with expanded gain and headroom. Each input accepts audio sources of various types and levels. Each input has its own limiter, sweepable high-pass filter, and pre-or-post-fade direct output.


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Sound devices 5ss portable 5-chan

Sound devices 5ss portable 5-chan

 

 

Frequency Response:

20 Hz - 30 kHz, +0.2, -0.5 dB

THD + Noise:

0.09% max (50 Hz - 20 kHz, +18 dBu at line out, fader fully up)

Equivalent Input Noise:

-126 dBu (-128 dBV) maximum. (22 Hz - 22 kHz bandwidth, flat filter, trim control fully up)

Maximum Input Level:

XLR mic - 0 dBu (0.78 Vrms)

XLR line - +40 dBu (80 Vrms)

RTN A,B - +24 dBu (12.4 Vrms)

Maximum Gain:

93 dB - mic in to line out

53 dB - mic in to mic out

79 dB - mic in to tape out

107 dB - mic in to headphone out

Input Type:

XLR mic - Transformer-balanced for use with <600 ohm mics

XLR line - Transformer-balanced for use with 2k ohm outputs

RTN A,B (3.5 mm, TA3, 10-Pin) - Unbalanced stereo for use with 2k ohm outputs

Input Impedance:

(ohms actual):

XLR mic - 2k ohms

XLR line - 16k ohms

RTN A,B - 20k ohms

Input Clipping Level:

0 dBu minimum (trim control fully down)

Common Mode Rejection Ratio:

120 dB minimum at 80 Hz, mic input, 100 dB minimum at 10 kHz, mic input

High-Pass Filters:

sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz

Mic Powering:

(each mic selectable):

no power applied

12 V Phantom - through 680 ohm resistors, 10 mA per mic available

48 V Phantom - through 6.8k resisters, 10 mA per mic available

Input Limiters:

affects the output of the mic preamps only ('Trim' stage), +18 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 500 mS release time.

Output Type:

XLR Line - Transformer-balanced for use with >600 ohm inputs

XLR -10 - Transformer-balanced for use with >10k ohm outputs

XLR Mic - Transformer-balanced for use with >600 ohm inputs

10-Pin Line - Transformer-balanced for use with >600 ohm inputs

10-Pin -10 - Transformer-balanced for use with >10k ohm outputs

10-Pin Mic - Transformer-balanced for use with >600 ohm inputs

TA3 Balanced Mic and Line: pin-2 and 3 driven, for use with >3k ohm inputs

TA3 Direct Outputs Mic and Line: pin-2 and 3 driven, for use with >3k ohm inputs

Tape Outs (3.5 mm and TA3-Type): Unbalanced, stereo, for use with >6k ohm inputs

Mono Mic Out: Unbalanced, mono, for use with >600 ohm inputs

Headphones (3.5 mm and 1/4"): Unbalanced, stereo, for use with 8-2k ohm headphones

Output Impedance:

(ohms actual):

XLR - 85 ohms at Line setting, 3.2k ohms at -10 setting, 150 ohms at Mic setting

10-Pin - 85 ohms at Line setting, 3.2k ohms at -10 setting, 150 ohms at Mic setting

TA3 Balanced Outs - 1k ohms at Mic and Line settings

TA3 Direct Outs - 1k ohms at Mic and Line settings

Tape Outs (3.5 mm and TA3-type) - 1.8k ohms

Mono Mic Out- 150 ohms

Headphones (3.5 mm and 1/4") - 50 ohms

Line Output Clipping Level: (1% THD):

20 dBu minimum with 10k load

Maximum Output Level:

Line (XLR, 10-Pin, TA3 Balanced and Direct Outs) - +20 dBu (7.8 Vrms)

-10 (XLR, 10-Pin, TA3 Balanced and Direct Outs) - +6 dBu (1.5 Vrms)

Mic (XLR, 10-Pin, TA3 Balanced and Direct Outs) - -20 dBu (0.078 Vrms)

Tape Outs - +6 dBu (1.5 Vrms)

Mono Mic Out - +6 dBu (1.5 Vrms)

AES3 Output:

Balanced AES Out A,B on XLR connectors, 110 ohm, 2 V p-p, AES and S/PDIF compatible with RCA adaptor

Recording Media Type:

Secure Digital High Capacity (SDHC), Secure Digital (SD)

FAT32 formatted, will format media on-board

Recording File Type:

WAV - 2-Track Polyphonic, 16 bit, 24 bit

MP3 - 2-Track Polyphonic, 64 kb/s, 128 kb/s, 192 kb/s, 320 kb/s

fixed file name using date/time as file name, daily folders

Time Code:

Reads external timecode received and stamps BEXT/iXML header for WAV, stamps ID3 tag for MP3

Frame rates - (auto-sense) 23.976, 24, 25, 29.97DF, 29.97ND, 30DF, 30ND, 30+

Input - 20k input impedance, 0.3V-3.0V p-p.

Sampling Frequency:

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

A/D:

24 bit, 96 kHz maximum sampling rate

A/D Dynamic Range:

103 dB, A-weighted bandwidth typical

Output Limiters:

Affects the outputs of the mixer

Threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time,

500 mS release time.

Powering:

internal ±16 V (bi-polar) regulated audio rails, 3.2-8 V range internal batteries, isolated (floating) external DC input jack, 5-18 V

Locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-),

Temperature:

operating: –20°C to 60°C, 0 to 90% relative humidity; (non-condensing), storage: –40°C to 85°C

Metering:

42 segment, sunlight-viewable,

selectable Peak, VU, or Peak + VU ballistics

Weight:

2.0 kg, (4 lbs 6 oz.) unpackaged without four alkaline AA batteries

Dimensions:

53 mm x 279 mm x 168 mm (H x W x D), 2.1” x 11 x 6.6"

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